000 | 01955cam a2200385 a 4500 | ||
---|---|---|---|
001 | 907840 | ||
003 | CO-NeUS | ||
005 | 20180209100646.0 | ||
008 | 910304s1991 nyuag b 001 0 eng | ||
010 | _a90006986 | ||
020 | _a039395272X | ||
035 | _a(OCoLC)21228669 | ||
035 | _a(OCoLC)ocm21228669 | ||
035 | _a(CStRLIN)NYCG91-B15594 | ||
035 | _a(NNC)907840 | ||
040 |
_aDLC _cDLC _dCO-NeUS _dCO-NeUS |
||
050 | 0 | 0 |
_aML197 _b.M675 1990 |
082 | 0 | 0 |
_a780.904 _220 _bM847t " |
100 | 1 |
_aMorgan, Robert P. _968826 |
|
245 | 1 | 0 |
_aTwentieth-century music _ba history of musical style in modern Europe and America _cRobert P. Morgan. |
250 | _aFirst edition. | ||
264 |
_aNew York _bNorton _c©1991. |
||
300 |
_axvii, 554 páginas. _bilustrado, musica _c24 cm. |
||
490 | 1 |
_aThe Norton Introduction to Music History _998880 |
|
504 | _aIncluye referencias bibliográfica (p. 491-537) e indice. | ||
505 | _aBeyond tonality: from 1900 to world war I -- The historical context: Europe at the turn of the Century -- The atonal revolution -- New tonalities -- Other European Currents -- Beyond the continent -- Reconstruction and new systems: between the wars -- The historical context: Europe after World War I -- The twelve-tone system -- Other Europeans -- England after World War I -- The United States -- Latin America -- Innovation and fragmentation: from world war II to the present -- The historical context: The World after World War II -- Indeterminacy -- Innovations in form and texture -- Music and external world -- Developments in Technology: Electronic Music -- Epilogue: Music today -- | ||
650 | 0 |
_aMusic _y20th century _xHistory and criticism. _9117188 |
|
650 | 0 |
_aStyle, musical. _9132393 |
|
650 | 0 |
_aMusica _vSiglo xix _xHistoria y crítica _9117190 |
|
650 | 0 |
_aEstilo musical _9109648 |
|
830 | 0 |
_aNorton introduction to music history. _997792 |
|
942 | _cCG | ||
999 |
_c39901 _d39901 |